Especially amidst isolation and the uncertainties of modernity, we are reminded of the power of music as a ritual. Though New Decade comes across as bleak, deliberately restrained, its meditations cut through the real sentiments of our confusing years with the sincerity of a haiku.
By narrating her world in layers, rather than in cohesive progression, she expresses the specific textures of time that we inhabit today. The possibility of a cancelled future is channeled through her set-up, with her haunting poetics written as if in total darkness, and her swirling voice drifting through the electromagnetism of her own instruments. The grey electronic buzz of its first track ‘Snow and Pollen’ might refer to the abnormal weather conditions of recent years, portraying the emptiness of an irreversibly mutated climate. In our own new decade, the abject energies that previously existed in the underbelly of culture have bubbled up to the surface, manifesting as climate crises, political chaos, and health emergencies. While Phew’s recent work maintains a daring experimentalism, New Decade resounds as a faceless mourning of futurist promises made in the past.
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Since going on to work individually, her visions have been followed through with a genre-hopping string of experimental albums carried on till today, in Kanagawa, where she combines both software and hardware with prophetic vocals. Her explorations have spanned decades, involving collaborations with Ryuichi Sakamoto and members of prominent experimental German bands-those of Can or Einstürzende Neubautens-all the way up to working in isolation underneath the dystopic energies of 2020/2021. As a part of the cult Kansai label Vanity Records, her visceral avant-garde post-punk experimented with the techniques of amplified sound, using the newly available audio equipment of Japan’s tech boom and grating against the bubbly sheen of its pop culture. Phew, or Hiromi Moritani, has been a glowing figure within obscured histories since the 1970s, when she fronted Aunt Sally in Osaka’s underground scene. Anime Goku dragon ball tone notification phew phew.
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In her ritualistic solo work, Phew’s vocals exist liminally, between utterance and deadpan, English and Japanese, echoing but reaching nowhere. Download Dragon Ball Phew free ringtone to your mobile phone in mp3 (Android) or m4r (iPhone). Through the feedback of old synthesisers, drum machines, and a trembling guitar, New Decade projects a stony void rather than a lively provocation. Phew’s voice is always bounded by the metal hum of technological civilisation. A celebrated figure within a lineage of Japanese post-punk and noise, in her first return to Mute Records in 30 years, Phew projects a wavering identity via the sombre dronescape of New Decade. Phew for Mew (Japanese: Holders Bond) is the 302nd round of the Pokmon Adventures manga and the last round in the FireRed & LeafGreen. Even as things take a strange turn, Phew’s music can resonate at its own frequencies.
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