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A person close to Netflix said final payments are typically made when a movie has finished postproduction. He said Netflix later agreed to pay him half the money he was owed in January 2021 and the remainder in March of that year. “We’re fighting that industrywide at this point.” “Our payments are being held under some arbitrary idea that it’ll paid out at the absolute last possible moment,” said Raval, who lives in Culver City. His wife, an art teacher, was also not teaching because of the pandemic, putting a strain on their finances. Raval said he did the final mix for a Netflix movie in November 2020 only to learn that the studio planned to not pay him the tens of thousands of dollars he was owed until about six months later, closer to when the movie would be released. Some music supervisors described instances where their payments were delayed after they had completed their jobs. “You’re working for the same amount of money on less episodes for a longer period of time, which means that you ultimately make less money per hour,” Urdang said.
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A series could have an average of seven to 10 episodes and span more than a year of work, Urdang said. Shows on streaming platforms, however, are not necessarily timed to certain seasons.
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When shows were based on a network’s TV season, the payments were on a more regular schedule, with a show having 12 to 18 episodes per season, which could take about six to eight months of work, said Robin Urdang, who has worked as a music supervisor on Netflix series including “The Baby-Sitters Club” and Amazon’s “The Marvelous Mrs. The payment comes out of the series’ or film’s budget. Pay for music supervisors is typically a fee that can be negotiated per episode or for an entire project like a series or film. Tensions with music supervisors have escalated amid the boom in streaming, which has shortened TV seasons. Manish Raval, a 48-year-old music supervisor who worked on the Netflix film “The Gray Man” and shows like NBC’s “This is Us,” supports the union effort.
They have the momentum right now to try and get organized and try and get recognized as a union.” “We have a great demonstration to point to the cultural impact that supervisors can have and the creative value of their services. “Placed music has been a huge driving factor in the music industry for a long time,” said Michael Peters, an attorney at Ramo Law PC. Felder, who suggested “Running Up That Hill” for “Stranger Things 4,” won an Emmy for music supervision. In 2018, music supervisors could qualify to win Grammys in the compilation soundtrack album category. The unionizing efforts comes as music supervisors have become more prominent culturally and professionally. “Our position means there will be an election if the union files a recognition petition with the National Labor Relations Board, allowing each employee to cast a vote,” he said.
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The alliance rejected IATSE’s request “because we believe that employees should have a free choice in deciding whether they wish to be represented by a union,” said AMPTP spokesperson Jarryd Gonzales. IATSE said that more than 75% of music supervisors supported joining their union, which represents camera operators, set decorators, makeup artists and other technical jobs on sets. Music supervisors requested Netflix and the Alliance of Motion Picture and Television Producers voluntarily recognize their union earlier this year, which would have skipped the step of a formal election, but they declined.
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1 spots on the U.K.’s official singles chart.īush did not respond to Fortune’s request for comment.īut in a series of blog posts on her website published this and last month, Bush commented on the song’s resurgence, thanking her fans young and old who have given it a “whole new lease of life.Company Town Explaining Hollywood: How to get a job as a music supervisorĪ music supervisor combines the skills of a disc jockey and a negotiator to help pull together the soundtrack of a film or TV show. 1 on the U.K.’s official singles chart, and longest gap between No. 1 on the U.K.’s official singles chart, oldest female artist to reach No. The return of the song has also helped Bush break three Guinness World Records: the longest time for a track to reach No. On TikTok, “Running Up That Hill” has become a trending sound, with users creating over 2 million videos to it. Many major artists do not own their original recordings, giving their labels the rights to distribution and therefore giving up a significant cut of any royalties. As a result, Music Business Worldwide, a global music industry news site, estimates the singer retains the majority, possibly up to 80%, of royalties generated from her biggest hits. But in a rarity for the music industry, Bush owns the entire copyright to original recordings of her songs-including “Running Up That Hill”-through her independent record label Noble & Brite, Quartz reported.
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